The
History of Music on the Internet
Internet Radio
Napster
- A Case Study
MP3
Encoding
Secure Digital Music Initiative
The
Future of Music on the Internet
© Karl Heery, Trinity College Dublin, 2000
Comments: heeryk@tcd.ie
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StandardDigitalMusicInitiative
TOPICS
OBJECTIVE:
To
develop the voluntary, open framework for playing, storing and distributing
digital music necessary to enable a new market to emerge. SDMI is working
on two tracks -
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The first has already produced a standard, or specification,
for portable devices.
-
The longer-term effort is working toward completion
of an overall architecture for delivery of digital music in all forms.
PRINCIPLES:
SDMI’s
work is based on the core principles that copyrights should be respected
and that those who wish to do so should be able to use unprotected formats.
This flexible approach will enable a new market that works for consumers,
artists, manufacturers and content providers.
GOAL:
To enable
consumers to access and enjoy music in new ways, while ensuring interoperability
among digital products and services so as to enhance the consumer’s listening
experience. The specification will protect copyrighted music in all existing
and emerging digital formats and through all delivery channels.
TOPICS
Introduction:
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The story & forces behind SDMI
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The reasons why SDMI is needed
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The initial development and structure of SDMI
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A word from the Executive Director
Technology:
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The 2 Phase technology adopted by SDMI
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Watermarking
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The Public Challenge & Response Evaluation
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The published Design Specification
Opinions:
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Is SDMI welcome by the general public, experts, hackers?
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Boycott of the public challenge
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The "Fair Use" issue
Future:
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Given general public opinion, what is the future prognosis for SDMI?
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Will it take off?
What are the deciding factors of this?
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